The weirdness of Elizabethan plays, the pleasure of revisiting favourite novels, the supreme examples of Charlotte Brontë, George Eliot and Henry James, Thomas Hardy and Joseph Conrad: all are here, in anonymously published pieces, in which may be glimpsed the thinking behind Woolf’s works of fiction and the enquiring, feminist spirit of A Room of One’s Own. Here is Woolf the critical essayist, offering, at one moment a playful hypothesis and at another a judgment laid down with the authority of a 20th-century Dr Johnson. Here is Woolf working out precisely what’s great about Hardy and how Elizabeth Barrett Browning made books a 'substitute for living' because she was 'forbidden to scamper on the grass'. Above all, here is Virginia Woolf the reader, whose enthusiasm for great literature remains palpable and inspirational today.

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