Equal parts historian and anthropologist, raconteur and social scientist, the author draws on his own work over the years with Talking Heads, Brian Eno, and his myriad collaborators to show that music-making is not just the act of a solitary composer in a studio, but rather a logical, populist, and beautiful result of cultural circumstance.
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Equal parts historian and anthropologist, raconteur and social scientist, the author draws on his own work over the years with Talking Heads, Brian Eno, and his myriad collaborators to show that music-making is not just the act of a solitary composer in a studio, but rather a logical, populist, and beautiful result of cultural circumstance.
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